Monday, October 9, 2017

The Intermediate Pianist: The winners….

Many thanks to all those who took part in my weekend competition, which was to win one of three new books written by Karen Marshall and Heather Hammond.  I really enjoyed reading all your comments. The Intermediate Pianist is a new piano course for those from Grade 3 – 5 level.

The winners are:

Liz Gethings wins Book 1

Flora Tzanetaki wins Book 2

and, Rebekah Hanna wins Book 3

Congratulations! Please send your address via my contact page here on the blog, and your books will be on their way.

You can find out much more about these publications here.


 




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Saturday, October 7, 2017

Weekend Competition: The Intermediate Pianist

Today’s weekend competition focuses on a new three-book piano course published by Faber Music. The Intermediate Pianist is intended for students and piano teachers tutoring students, from approximately Grades 3 – 5 level. Written by Karen Marshall and Heather Hammond, the course is designed to help students (and teachers) negotiate the intermediate stages of learning, where pupils are often prone to quitting. With this in mind, the books are progressive and roughly graded (Book 1 is equivalent to Grade 3 (ABRSM level), Book 2, Grade 4, and Book 3, to that of Grade 5).

Arranged in chapters, the volumes feature a collection of attractive pieces (both original (many by composer Heather Hammond) and arrangements), and provide a curriculum for teachers to work through with quick-learn studies, musicianship activities, sight-reading exercises and much theoretical information, helpful for those at this crucial stage.

I have three books to give away, so please leave your comments in the comment box at the end of this blog post and I will announce the winners on Monday evening (British time). Good luck!

You can find out more about the books here.


 




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Tuesday, October 3, 2017

Evelyn by Onni – At Forest’s-Edge West Vancouver 2-Bedroom + Den Pre-Construction Homes

North elevation of Evelyn At Forest's-Edge Three & Four.

At a Glance

  • terraced concrete building
  • lushly landscaped grounds in a spectacular setting
  • understated interiors & designer appliances
  • adjacent to Park Royal shopping centre
  • convenient connections to Vancouver, Horseshoe Bay & Whistler
  • LEED Silver master-planned community
  • geothermal energy system

West Coast Modernism
With an absence of unnecessary ornaments, Evelyn utilizes a combination of natural raw materials that fit within its environment, creating beauty unique to its setting and embracing nature. Private terraces provide homeowners with their own garden space, accentuated by the natural surroundings and trees. The site and building orientation is organized so that everyone has southern views and ample sun exposure. Meticulous attention has been placed on the ground level experience, as well, with water features, wandering paths, and pedestrian walkways which are central to Evelyn’s urban expression.

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West Vancouver offers some of the most breathtaking natural scenery in all of Canada. From the beaches of Ambleside and Dundarave, to the rocky shoreline of Lighthouse Park through to Howe Sound, this is an unparalleled playground. With 138 parks, seemingly endless public waterfront, and more than 100 kilometres of urban paths and wilderness trails, Evelyn is perfect for those who lead active lifestyles and value the time they spend outdoors as much as in. There’s no shortage of things to do, with year-round options at your doorstep ranging from sailing to skiing.

With all the charms and amenities offered in West Vancouver, you may rarely need to venture to downtown Vancouver. But if you do, the newly-redesigned Lions Gate Bridge on-amps and adjacent Taylor Way bus stops will take you there in minutes. With direct connections to Highway 1, Highway 99, and the ferries in Horseshoe Bay, your escapes to Bowen Island, the Sunshine Coast, and Whistler have never been easier.

Contact me today to learn about remaining opportunities to own in this established, master-planned community.

Pricing for Evelyn
Details have not yet been released. However, given the great popularity of Evelyn’s earlier phases, we strongly recommend you sign up to our VIP list above to ensure priority access to this incredible purchase opportunity.

Floor Plans for Evelyn
Onni’s Fall Feature Home for At Forest’s-Edge Three & Four is Plan B, a 2-bedroom + den designed for owners who have a sophisticated eye for style and detail.

Evelyn On Forest's-Edge Three & Four floor plan B.
Plan B
2 Bedroom + Den
Living: 1,125-1,145 sq ft (approx)
Outdoor: 170-175 sq ft (approx)
Total: 1,295-1,320 sq ft (approx)

Evelyn Interiors
Evelyn On Forest's-Edge Three & Four living room concept design.
Timeless Finishes

  • Automated lighting in living areas
  • Automated sound control with built-in speakers in kitchen
  • Premium wide-plank, engineered oak hardwood flooring with resilient brushed finish throughout living, entry, flex space, dens, and kitchen
  • 100% wool berber carpeting with cushioning underpad throughout bedrooms and walk-in closets
  • Porcelain tile in laundry closet
  • Full size high-efficiency Energy Star front-loading washer and Energuide-rated dryer
  • Modern, slim-line roller shades with 95% blockage to filter UV light on exterior windows with remote control operation for living and dining rooms
  • Flat painted ceilings throughout with recessed pot lighting in entry, bathrooms and kitchen
  • Ample in-suite storage with multiple oversized closets featuring contemporary flat-panel doors and modern polished chrome door hardware
  • Forced air heating and cooling
  • Contemporary flat profile painted baseboards and door casings
  • Painted solid wood interior doors
  • Multiple outlets for high-speed internet

Evelyn On Forest's-Edge Three & Four kitchen concept design.
Spacious Kitchens

  • Designer appliances package:
    • Sub-Zero 30” or 36” wood-paneled integrated fridge with dual freezer drawers at the bottom
    • Asko 24” full size wood-paneled integrated dishwasher
    • Miele 30” or 36” gas cook top
    • Faber 30” or 36” low-profile slide out 3 speed hood fan
    • Miele 30” convection wall oven
    • Sub-Zero under-counter integrated wine fridge
  • 1 1⁄2” thick double-nosed honed granite or composite stone counter tops with breakfast bar overhang
  • Full height stone backsplash to match counter tops
  • Custom made flat panel wood cabinets featuring custom wood gables and accent lacquer panel upper cabinets and bar backs
  • Soft close mechanism on all kitchen doors and drawers
  • Double bowl stainless steel zero-radius under-mounted sink
  • In-sink waste disposal
  • Kohler polished chrome kitchen faucet with extractible spray
  • Recessed pot lighting throughout kitchen
  • Under-cabinet puck lighting illuminating work space
  • Plug-in USB outlet included in the kitchen for convenient charging of your smartphone or electronic device

Evelyn On Forest's-Edge Three & Four bathroom concept design.
Luxurious Bathrooms

  • Nuheat electric floor heating system with thermostat
  • 12” x 24” imported honed travertine stone floor tile with matching 2” x 4” shower floor tile
  • Generously sized floating custom oak vanity cabinet and coordinating medicine cabinet
  • Soft-close mechanism and chrome door hardware on cabinetry
  • Honed marble slab countertops featured in Ambleside scheme
  • Honed quartz slab countertops featured in Dundarave scheme
  • Under-mount wash basin with double-handle chrome faucet in master bathrooms (and in main bathrooms in single bathroom homes)
  • Semi-recessed wash basin with single-lever chrome faucet in second bathrooms
  • Water-conserving elongated toilet
  • Showers encased in frameless glass and floor-to-ceiling tile
  • All showers equipped with wall mounted hand shower as well as rainshower head and pressure balanced valves
  • Deck-mounted deep soaker tub with flexible hand shower
  • Polished chrome bathroom accessories
  • Contemporary and functional wall sconces and pot lighting

Amenities at Evelyn
Landscaping includes heritage and additional trees, tranquil gardens and water features, inviting walkways, paths community linkages. Two convenient footpaths run through the site to Park Royal. Ample, secured residential and visitor parking for vehicles and bicycles. A complete selection of urban amenities, personal services and shopping adjacent to the property. Convenient access to nearby waterside parks, beaches and community services. Oversized south facing terraces with landscaped framed edges, ranging from 100 – 1,600 sq ft.

Parking and Storage
There are 122 resident and 10 visitor vehicle spaces, and 53 bicycle stalls contained in the building’s three levels of underground parkade.

Maintenance Fees at Evelyn
Included in pricing information.

Developer Team for Evelyn
The Onni Group is one of North America’s leading private real estate developers, with extensive experience designing, developing, building and managing innovative projects. As a fully-integrated company that directly oversees every step in the development process, Onni has built over 10,000 homes. In addition, the company owns and manages more than 7 million square feet of commercial property, over 5,500 rental apartment units, and has an additional 10 million square feet in various stages of development. With offices in Vancouver, Toronto, Chicago, Los Angeles, Phoenix and Mexico, Onni continues to expand and diversify into new markets throughout North America.

Expected Completion for Evelyn
To be determined.

Are you interested in learning more about other homes in West or North Vancouver?

Check out these great North Shore Presales!

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1245 Harwood – Availability, Plans, Prices

1245 Harwood designed by Bing Thom Architects.

At a Glance

  • 17-storey luxury residential tower
  • one 2,205 sq ft. home per floor
  • stunning English Bay vistas
  • close proximity to Stanley Park
  • walking distance to Davie Village shops & restaurants
  • near seawall and beaches
  • home automation system

View of English Bay from 1245 Harwood balcony.

Redefining Vancouver’s West End
This exceptional, once-in-a-lifetime offering in one of the world’s most desirable cities, can now be yours. Each home encompasses the entirety of a full floor and is comprised of a gracious and exceptionally well-appointed 2,200 plus square feet. Designed with the upmost consideration, these beautifully crafted residences have been entirely executed using only the finest finishing materials available. Inspiring and serene living is ensured. Boasting quintessential vistas of English Bay, ocean, mountains, Stanley Park and cityscape, 1245 Harwood offers the best of Pacific West Coast scenery. Now completed, this exceptional residential landmark tower stands alone as an iconic exemplar of quality and uniqueness.

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Residing in the heart of the West End, 1245 Harwood is situated in one of downtown Vancouver’s longest established and most eclectic neighbourhoods. Where nature meets the downtown core, one can bike the the seawall, the world’s longest uninterrupted waterfront path, then conveniently dine in one of Vancouver’s top upscale restaurants. Sunbathing on the beach and shopping along The Golden Mile, Vancouver’s high-end retail district, are all within walking distance. Amenities and activities range from community centres and farmers markets to local festivals, numerous parks, and beaches. The West End’s diversity and natural environment characterize the community, making it one of Vancouver’s most desirable places to live.

Pricing for 1245 Harwood
Offered from $5.8 million.

Floor Plans for 1245 Harwood
Floorplan for 1245 Harwood downtown Vancouver condominium.

Contact me today to discuss this outstanding purchase opportunity.

1245 Harwood Interiors
Spacious living room of 1245 Harwood.

  • Mozart Collection natural finish Oak Bianca flooring
  • Slab Carrera marble foyer
  • Giellesse closet system and accessories
  • 60”-long custom applied concrete fireplace with white oak millwork
  • hydronic radiant floor heating system
  • individual heat pump on each floor
  • dimmable LED, cove, recessed lights

Sumptuous master bedroom of 1245 Harwood.

  • automated Living, Dining, Master Bedroom, Ensuite shades
  • operable and fixed angel-hair stainless steel marine grade screens
  • Timbertech composite balcony decking
  • Millson home automation system

Chef-inspired kitchen at 1245 Harwood.

  • Bulthaup light grey quartz worktops
  • Bulthaup natural oak veneer grey bar top
  • Bulthaup kaolin tall and base mat lacquer cabinets
  • Bulthaup sand beige pantries
  • Bulthaup under-mount stainless steel sink
  • Gaggenau fully integrated refrigerator
  • Gaggenau cooktop
  • Gaggenau exhaust fan
  • Gaggenau wall oven
  • Gaggenau steam oven
  • Bosch fully integrated dishwasher
  • Cavavin wine fridge
  • Panasonic microwave
  • AEG full size washer and dryer

Spa-inspired ensuite at 1245 Harwood.
Master Bath

  • Sculptural free standing bath tub
  • Shower with Axor shower heads for multiple spray
  • Dornbract shower fixtures
  • Villoroy and Boch dual under-mount sinks
  • Custom dual backlit vanity mirrors
  • Duravit water closet
  • Stone Project naturale falda grey stone tile

Second Ensuite Bath

  • Stand alone shower
  • Duravit undermount sink
  • Duravit water closet

Powder Room

  • Slab stone pedestal sink
  • Duravit sink
  • Dornbracht faucet
  • Duravit water closet

Amenities at 1245 Harwood
Landscaped courtyard with Western Canada’s oldest-living, non-native deciduous tree and a street level reflecting pond.

Parking and Storage
One level of underground parking.

Maintenance Fees at 1245 Harwood
Details provided in offer.

Developer Team for 1245 Harwood
Acadia Development awarded the design of 1245 Harwood to Bing Thom Architects. Bing Thom is an innovative and global architectural and urban design practice with an emphasis on community-minded work. Founded in 1982, the firm has a core staff of 50 who, in addition to architecture and planning, bring expertise in engineering, sustainable building, interior design, project management, landscape design, and construction. With offices in Vancouver, Hong Kong, and Washington, DC, Bing Thom is known for design excellence and the ability to integrate site master planning, architecture and urban design into a compelling vision that inspires individuals, institutions and communities to do great things.

Expected Completion for 1245 Harwood
Completed. Selling now.

Are you interested in learning more about other homes in Yaletown, Downtown, or near Chinatown?

Check out these great Downtown Vancouver Presales!

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September 2017 Real Estate Board of Greater Vancouver Statistics Package with Charts & Graphs

Home buyer demand continues to differ based on housing type

Apartment and townhome activity is outpacing the detached home market across Metro Vancouver. This activity helped push total residential sales above the historical average in September.

The Real Estate Board of Greater Vancouver (REBGV) reports that residential property sales in the region totalled 2,821 in September 2017, a 25.2 per cent increase from the 2,253 sales recorded in September 2016, and a 7.3 per cent decrease compared to August 2017 when 3,043 homes sold.

Last month’s sales were 13.1 per cent above the 10-year September sales average.

“Our detached homes market is balanced today, while apartment and townhome sales remain in sellers’ market territory,” Jill Oudil, REBGV president said. “If you’re looking to enter the market, as either a buyer or seller, it’s important to understand these trends and use this information to set realistic expectations.”

There were 5,375 detached, attached and apartment properties newly listed for sale on the Multiple Listing Service® (MLS®) in Metro Vancouver in September 2017. This represents a 12 per cent increase compared to the 4,799 homes listed in September 2016 and a 26.6 per cent increase compared to August 2017 when 4,245 homes were listed.

The total number of homes currently listed for sale on the MLS® system in Metro Vancouver is 9,466, a 1.2 per cent increase compared to September 2016 (9,354) and a 7.5 per cent increase compared to August 2017 (8,807).

“Detached homes made up 30 per cent of all sales in September and represented 62 per cent of all the homes listed for sale on the MLS®,” said Oudil. “This dynamic has slowed the pace of upward pressure that we’ve seen on detached home prices in our market over the last few years.”

For all property types, the sales-to-active listings ratio for September 2017 is 29.8 per cent. By property type, the ratio is 14.6 per cent for detached homes, 42.3 per cent for townhomes, and 60.4 per cent for apartments.

Generally, analysts say that downward pressure on home prices occurs when the ratio dips below the 12 per cent mark for a sustained period, while home prices often experience upward pressure when it surpasses 20 per cent over several months.

The MLS® Home Price Index composite benchmark price for all residential properties in Metro Vancouver is currently $1,037,300. This represents a 10.9 per cent increase over September 2016 and a 0.7 per cent increase compared to August 2017.

Sales of detached properties in September 2017 reached 852, a 27.9 per cent increase from the sales recorded in September 2016 (666), a decrease of 33 per cent from September 2015 (1,272), and a decrease of 32.9 per cent from September 2014 (1,270). The benchmark price for detached properties is $1,617,300. This represents a 2.9 per cent increase from September 2016 and a 0.1 per cent increase compared to August 2017.

Sales of apartment properties reached 1,451 in September 2017, a 19.1 per cent increase compared from the sales recorded in September 2016 (1,218), a 5.1 per cent decrease from September 2015 (1,529), and a 22.1 per cent increase from September 2014 (1,188). The benchmark price of an apartment property is $635,800. This represents a 21.7 per cent increase from September 2016 and a 1.4 per cent increase compared to August 2017.

Attached property sales in September 2017 totalled 518, a 40.4 per cent increase compared to the sales recorded in September 2016 (369), a 4.8 per cent decrease from September 2015 (544), and an 11.6 per cent increase from September 2014 (464). The benchmark price of an attached home is $786,600. This represents a 14.5 per cent increase from September 2016 and a 1.1 per cent increase compared to August 2017.

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Creston – Plans, Prices, Availability

Creston is Pennyfarthing's first North Shore condominium development.

At a Glance

  • immersed in North Vancouver’s natural beauty
  • 4-storey mixed use building
  • 53 condominiums
  • 1- to 3-bedroom homes
  • 3,300 sq ft of commercial space
  • near Lonsdale shopping
  • close to Grouse Mountain

Benwicke Avenue elevation of Creston, showing commercial units..

Naturally Modern
Located at the corner of Bewicke Avenue and 15th Street, these 52 homes are defined by elements of moodier design, tucked away in a neighbourhood known for family-friendly living. Designed by notable Pennyfarthing Homes, Creston’s one- to three-bedroom homes are distinctively crafted to appeal to modern needs and tastes. The smart, open-concept layouts are functional and bright, while the warm palettes are a timeless display of style. While living here is tranquil, you are always close to the urban amenities of Marine Drive and Lonsdale, the recreation of Grouse Mountain and Lynn Canyon, and the city energy of downtown Vancouver.

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Pricing for Creston
Creston is currently in pre-construction. Pennyfarthing has not yet released pricing information. Given the success of Pennyfarthing’s recemt projects, we expect Creston to sell out quickly. Sign up to our VIP list today to ensure you receive updates on all the latest developments.

Floor Plans for Creston
Creston will offer the following adaptable mix of North Shore residences:

  • 22 x 1-bedrooms from 544 – 756 sq ft
  • 28 x 2-bedrooms from 912 – 1,112 sq ft
  • 3 x 1,208 sq ft 3-bedrooms

Contact me to discuss availability, plans, and pricing.

Amenities at Creston
A residential amenity room, including a communal kitchen and seating area, is located on the ground floor of the building, opening onto a shared patio space and amenity garden in the courtyard.

Parking and Storage
Creston will provide 87 vehicle stalls in two levels of underground parking, of which six are for visitors, 10 are commercial, and six are handicapped. Secure bicycle parking will be available in 91 stalls, including 25 vertical spaces, 21 lockers, 12 short-term stalls, and two commercial spaces.

Maintenance Fees at Creston
To be determined.

Developer Team for Creston
Since its formation in 1980, Pennyfarthing Homes has fulfilled the home ownership dreams of nearly 3,000 home buyers throughout the Lower Mainland, Washington State, and California, all the while setting exacting standards of integrity, reliability and professionalism. Recent developments from Pennyfarthing featured here include Bennington House, Grayson, Hawthorne, and Basalt.

Shift Architecture is a high-performance practice with a track record of respected, inspired projects throughout Vancouver and the Lower Mainland. With proven expertise in multi-family housing, Shift boasts a diverse portfolio of residential, commercial, healthcare, and mixed-use developments. Renowned for its collaborative design process, Shift’s team of core personnel draws upon a deep collective well of experience spanning decades.

Portico Design Group has been selected to bring Creston’s interiors to life through creative use of space, colour, and texture with their vast in-house library. Portico provides full interior design services for residential and commercial real estate developers, resort operators, and private home owners in Canada and the United States.
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Expected Completion for Creston
Sales start Fall 2017.

Are you interested in learning more about other homes in West or North Vancouver?

Check out these great North Shore Presales!

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Selecting & Practising Piano Exam Repertoire: Trinity College London Grade 4

Surveying the syllabus for Trinity College London exams Grade 4 (2015 – 2017), I’m happy to find a more eclectic mix of repertoire than that of the lower grades. From Haydn and McMillan to Gounod and Köhler, there’s definitely something for everyone in this collection, and the pieces are also segregated into groups; ‘A’ and ‘B’ (in a manner not dissimilar to the ABRSM A, B & C lists). Pupils and teachers can choose one piece from list A and one from list B, with a third from either list.

One aspect I particularly like about Trinity College exams, is the concept of a candidate presenting one of their own pieces (as the third piece option). Surely an imaginative and forward-thinking idea which can only encourage composition, and hence invite students to delve deeper into the compositional and analytical process of piano writing. As always, I’ve added a recording for each chosen piece (selected from one of the many on YouTube).

Here are my selections and practice tips:

  1. Allegro Moderato (first movement from Sonatine, Op. 300) by Louis Köhler (1820 – 1886)

A lovely tuneful movement in a Classical style, German composer Köhler is known for his sonatas and sonatines for young players. This work, in the key of G major, is bright, breezy, with a darker central section in E minor, and it offers many useful piano techniques: staccato combined with legato, left hand melody, short slurs and plenty of dynamic variation too.

  1. After learning hands separately, making sure all fingerings, notes and rhythms are fully understood and absorbed, continue by practising the left hand accompaniment alone. This is not dissimilar to an Alberti bass (a broken chord or arpeggiated accompaniment figure), and will benefit from slow, solid heavy fingerwork, before lightening your touch and adding speed. it’s important to keep the thumb light (as nearly always with this compositional technique), placing a slight emphasis on the lower notes, as this will help to shape the bass line.
  2. Similarly the right hand chords (bars 8 – 12 and 31 – 35) need to sound altogether but must also be light and soft, allowing the left hand to ‘speak’. Practice ‘balancing’ each chord i.e. taking each note down with a firm finger supported by the hand, aiming to use a soft, loose wrist whilst balancing each note, so they all sound absolutely together. This skill takes time to master, so keep working at it slowly (it’s easier to be guided by a teacher).
  3. When practising the melody line, note every phrase climax, and then grade sound accordingly. Staccato notes within a phrase (bar 1, in the right hand, for example), should ideally not be too short, but rather elegant and carefully graded. The slur markings at bars 6 – 7 and 29 – 30 (also in the right hand), need a ‘drop-roll’ technique (sinking the hand and wrist into the first note, and lifting up and forward on the second), plus an added tenuto (on the first note) and staccato (after the second note of each slur) for extra ‘leaning’ or accentuation. The left hand tune (bars 8 – 12 and 31 – 35) must soar above the right hand, with a fulsome forte (loud), and marcato (marked) touch.
  4. Coordination between the hands could be an issue here (bars 8 – 12 and 31 – 35). In order to alleviate any potential problems, start by working on one crotchet beat at a time (hands together), slowly assimilating the necessary movements between the hands. Bar 6 – 7 might be one such area (for example), where the left hand plays legato quavers whilst the right hand is in the midst of drop-roll slurring coupled with tenuto and staccato. By isolating each beat, and taking them out of context, playing a quarter of the intended speed, time is given to ‘feel’ the movements and the differing articulations needed. This technique might also be required for note patterns such as those at bars 8 – 12, where the left hand is the star, and bar 22, where passage work is in unison. When learned, practice playing through to a slow pulse, and then varying rhythms, touches and volumes between the hands, in order to gain control and become really fluent.
  5. Left hand accompaniment such as that at bar 14 (where minims must be held for their full length), and bar 17-18 (where the left hand contains a double note pattern and tenuto  markings), must be practised with extra care. A steady pulse should prevail, with sudden dynamic contrasts adding shape and colour.


2. Garden Path by Elissa Milne (1967 – )

There’s much to enjoy in this piece by Australian composer Elissa Milne. A reflective tranquil mood is offset with ‘blues’ inflections and an atmospheric resonance created by the inclusion of the sustaining pedal. This provides an excellent contrast to the first piece.

  1. Balance between the hands will be crucial. Left hand chords must be soft and light, particularly at the opening, and played as legato as possible. Time spent working at each hand separately will secure confidence around the keyboard. Work at taking each chord (in the left hand) down into the key bed slowly, balancing the sound and making sure each note is in unison. Now grade the sound (a little more on the crotchet than on the minim in each bar, for example, in bars 1 – 4, 5 – 7, and 9 – 12). The larger leaps (in the left hand) on the second page, might benefit from the notes being located on the keyboard and played much quicker than necessary, then when they are played at the suggested tempo, they will hopefully feel easier.
  2. The right hand melody contains an important technical element: holding the first beat of the bar and colouring it with sufficient sound so as to join smoothly and ‘match’ the sound of the next note (often a triplet or the third beat (in many bars)). To produce the deeper sound, play with the flatter part of the finger tip, and use plenty of weight from the arm (via a relaxed wrist, loose arm and elbow), playing into the key bed. By doing this a warm cantabile tone should emerge; the sound should hopefully be cushioned (avoiding ‘hitting’ the key from above, which produces a harsher, thinner sound), and will ‘ring out’ for longer.
  3. The triplet figures are another technical issue for many. Aim to play three quavers in the time it usually takes to play two, by practicing counting a regular (even) ‘three’ beats out loud; experiment by clapping the rhythm to begin with. Then place  it in context, in its place on the last beat of the bar (of bars 1, 3, 5, 9, 11, 13, 19, 21, 23, 27 and 29). To do this, clap all three crotchet beats in each bar, but sub-divide each one equally into three, whether there’s a triplet on the beat or not (in other words, for practice purposes, clap a triplet on every beat). If you can do this for the first two lines of music, keeping a strict pulse, when you actually play the notes as written, the triplet should fall into place and the rhythm will hopefully feel natural.
  4. The effective addition of the chromatic scale in the right hand at bars 13 – 14, and 31 – 32 offers the chance to either learn the expected fingering (as written for scales), or the fingering suggested at bar 13, which uses a 4th finger (instead of the traditional 1, 2 & 3).
  5. Chords (for example, at bars 15 – 16 and 17 – 18) should ideally be graded carefully, with the top line at the forefront of the texture (the 4th and 5th finger might need some extra support from the hand and arm here), and as legato as possible. Experiment with the sustaining pedal, which is used (as directed) for every bar, to add resonance, and when confident, relax the tempo adding appropriate rubato.


3. Matsuri (Japanese Festival) by Michael McMillan (1980 – )

Full of vibrant colour and rhythmic energy, this work is fun to play and compliments my selected pieces from lists A and B, nicely. Composer Michael McMillan has created the Japanese ‘sound’ with open fifth intervals in the accompaniment and a colourful offbeat, quirky melody.

  1. The left hand accompanies throughout, often with staccato quavers a fifth apart. It’s relatively to easy to learn the fingerings and positions for bars 1 – 9, but its essential for the hands to remain flexible and relaxed. Tension can rear it’s head if the wrist and arm remain ‘locked’ in position. Alleviate this by encouraging the wrist to keep moving freely, finding places to rest the wrist, so any stiffness can be ‘released’ (many find it best to do this at the end of a bar, or possibly after a four bar phrase). Practice by leaving small gaps at first (stop playing and take a short rest), and as the wrist becomes accustomed to the break (or muscle release), the gaps will become increasingly shorter, until they are imperceptible.
  2. Minims in the left hand at bars 10 – 19 must be held for their full value. Aim to practice this bass line on its own, holding down the note until the very last possible moment before finding and playing the next one. The crotchet/quaver pattern above each minim, requires a firm first note and much lighter second (quaver).
  3. The right hand melody should ideally be very rhythmical, with little opportunity for tempo ‘changes’. With this in mind, start by setting a slow speed on the metronome (probably a third or quarter of that intended), and work through learning all fingerings and position changes. In bar 3, the 4th finger will need to be strong, so ensure a deep touch (using the finger tip), supported by the hand and arm (try to move the hand slightly to the right and away from the body supporting the weaker part of the hand).
  4. Articulation will be crucial, and to create the sharp, fairly clipped sound, observe all staccato and tenuto markings closely; the offbeat right hand fifths in bar 2 and bars 18 – 19 will need a steady, solid and rhythmical left hand in order to ‘bounce’  with characterful colour.
  5. The three and four parts spread between the two hands from bars 10 – 17 are probably the most complicated in the piece. Work a bar (or beat) at a time, first combining the two outer parts (bottom note with the tune), then the inner parts, before playing together. The last line of this piece is fun to play; every semiquaver must be equal rhythmically, so try to avoid rushing the second and fourth beat of each crotchet (it can help to accent these when practising).

My Books:

For much more information about practising repertoire, take a look at my two-book piano course, Play it again: PIANO (Schott). Covering a huge array of styles and genres, 49 progressive pieces from approximately Grade 1 – 8 are featured, with at least two pages of practice tips for every piece.

If you’re thinking about learning to play the piano, my guide-book, So You Want To Play The Piano? (Alfred) is full of useful help and support.

The Faber Music Piano Anthology (Faber) is also a valuable resource for those who desire a collection of standard repertoire from Grades 2 – 8, featuring 78 pieces in total.

My Compositions:

I have written a selection of educational piano music (both solo and duet) and you can hear it and find out much more here: EVC Music Publications.

 




from Melanie Spanswick http://ift.tt/2ykfLeI